The reviews from The Guardian is stating the fact that Elizabeth
Barrett Browning has made the speaker so religiously forward and shares this religious
outlook with the audience. However, the reviewer is pointing out the fact that
the audience cannot get their own religious views mixed up with what the speaker
is portraying. These discussions that take place during this religious debate
are very original according to the reviewer. The way that the reviewer points
out the importance of not getting lost in what the speaker is trying to portray
and what the audience should actually feel shows the way that literature can
manipulate readers. The audience must be able to draw their own conclusions and
make their own assumptions.
The review by Samuel B. Holcombe is
a rave of Elizabeth Barrett Browning’s style and art of writing as a whole. The
comparisons that Holcombe makes between Elizabeth and famous writers such as
Shakespeare and Tenyson show the true admiration that Holcombe had for her
writing. He loves the balance and knowledge that she shows with religion, but
is still able to demonstrate her poetic fashion. This shows the new innovation
that Elizabeth’s writing is able to bring to the literature world. The fact
that Holconbe is making Elizabeth, a woman writer, such an importance shows the
new impact that has been made on writing. Giving a woman writer at this time
this role is a new breakthrough for the literature world.
When Hannah Lawrance reviews the
work of Elizabeth Barrett Browning she focuses on the images and vividness that
is being so clearly drawn out through the poetry. She even says that Elizabeth
is “bringing to life the Virgin Mary and baby Jesus.” This bringing to life
aspect is helpful when thinking about Elizabeth’s style because it shows the
depth and development that she uses to relate an audience to her work. The art
of her changing the meaning of the Virgin Mary to show more agony and pain is
different and helps deliver a whole new meaning to religious beliefs. Elizabeth
is very talented in making religious context fit into the original way of perceiving
Christianity; however, she very beautifully adds a new twist to allow the
audience to ponder new ideas of the practices.
I like that you noted the vividness that some critics see in Barrett Browning's work. I'm starting to see it more myself as we move into her longer works, and it comes to fruition--in my opinion--in Aurora Leigh. Her powers of description in that text bring to life the scenes and ideas she deals with in a really memorable way.
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